I work with interaction design, computational systems, spatial interaction, affective computing, and computational music. My work has involved physiological sensing, physical computing, geospatial and socio-spatial data, wearables, environmental sensing, adaptive media, and interactive music.

Across projects including biomusic.cc, Beddit, Sterio, Holonic Systems, and Telharmonium, I have examined how sensing becomes interpretation, and how interpretation can become meaningful agency. I am particularly interested in systems whose behaviour remains available to authorship and inquiry rather than disappearing into opaque automation.

I currently lead Telharmonium Labs, where I am developing Telharmonium Composer, an AI-assisted symbolic composition and interaction system built around explicit constraints, explainable behaviour, context-aware adaptation, and cultural and musical knowledge with auditable, immutable provenance.

AI-assisted symbolic composition, affective modelling, and context-aware musical interaction. The system investigates how musical knowledge, structural constraints, context, and authored intention can participate in computational decision-making.

Active development in a private repository.

Context-aware, zero-UI mobile systems for data sonification, adaptive music and lighting, based on geospatial, socio-spatial, and physical computing.

Selected work in interaction design, computational and spatial systems, music technology, visual communication, and research.